©2011 Syracuse International Film Festival, Inc.
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©2011 Syracuse International Film Festival, Inc.
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INTERNATIONAL PARTNERS




Film and TV School of the Academy of Performing Arts in Prague (FAMU)
Prague, Czech Republic
FAMU is one of the oldest film schools in Europe. There
are many influential film makers and script writers among
graduates from the school, many of them are known
internationally. FAMU's star-studded period was in the
1960s, but the school managed to retain a comparatively
free atmosphere through the politically repressive 1970s
and 1980s. Many professors and graduates emigrated
and, while abroad, contributed significantly to the
education of American cinema school students (especially
Frank Daniel and Vojtech Jasny). The faculty are members
of CILECT, of the European League of Institutes of Arts
(ELIA) , and of the European Association of Cinema and Television Schools GEECT (Groupement Européen
des Ecoles de Cinéma et de Television). Works of its graduates have reaped many awards at international
festivals and have produced with and broadcast over domestic television networks.
Magyar Filmunió
Budapest, Hungary
Magyar Filmunió was established in 1992 by the Motion
Picture Public Foundation of Hungary for the promotion
of the Hungarian cinematography throughout the world.
The main fields of activity of the company are
organisation of the participation of Hungarian film
(feature films, shorts, documentaries and animation) at
international film festivals, organisation of retrospective
screenings and national film weeks abroad, organisation
of the Hungarian Film Week, the national film festival
and collaboration on a regular bases with international
professional organisations.
The basic activity of Magyar Filmunió is the promotion of Hungarian films abroad, to promote awareness of
Hungarian film-making at an international level within the circle of professionals as well as of a wide public.
The Hungarian cinematography, with its fame and traditions, with high artistic value, acclaimed authors,
directors and cinematographers is playing a significant role in world-wide cinematography. The organisation
of retrospective screenings and film weeks abroad presenting library titles helps keep all these values and
traditions alive.
Sheherazad Media International (SMI)
Tehran, Iran
Established in 2000, SMI is an active distribution
and marketing company of Iranian films and
productions in all over the world. Mrs. Katayoon
Shahabi, the Managing Director, started her
work in 1982 as a film promoter at “Farabi
Cinema Foundation” (FCF). In 1994, she co-
founded “Cima Media International” in which in
addition to promoting feature films and TV
programs, she was involved in co-production of
many documentaries and feature films that have
been successful world wide. SMI selects the best
Iranian documentaries, short and feature films from many productions each year and promotes and
distributes them abroad. SMI would also like to expand its activities by introducing valuable films from around
the world especially Middle East. In recent years we have been very active in the field of production and have
become a reliable company for most directors who wish to make feature or documentary in Iran.
Seoul International Film Festival
Seoul, Korea
The Seoul International Film Festival International film
festival features both competitive and non-competitive
sections. They are the most advanced film festival in
Korea bringing the medium of film to a variety of venues
such as internet, mobile, WIBRO as well as in traditional
movie theaters. Seoul Moving image Forum aims to
contribute to the extension and the diversity of visual
culture by taking cinema out of its traditional structure,
connecting it to other kinds of moving images, and
finding the a new possibilities of creation in that
connection. They are supported by The Ministry of
Culture and Tourism, Seoul Metropolitan Government,
the Korea Film Council, and the Korea Association of
Film Art & Industry.
Japanese Society of Cinematographers
Tokyo, Japan
In 1930, upon Akira Mimura's (Harry Mimura) return from
Hollywood, his report on the organizational activities of
the American Society of Cinematographers (A.S.C.) gave
Japanese film makers inspiration to formulate community
of their own. To help grow the society, the Japanese
Society of Cinematographers opened it's doors in 1969
to all cinematographers working in the industries of
television, movies, short films, documentaries, and t.v.
commercials. The J.S.C. is the sole authorized craft
organization in Japan in which supports its members'
individual excellence in their craft. They currently provide
support the entire Japanese film industry and have
specifically focused on youth in film, establishing a Youth Division in 1999 to help nurture newcomers with
aspirations of careers in the art of film. The Society honors outstanding achievement annually through The
Miura award for young cinematographers and the JSC Award for non-theatrical films, short films, recording,
television, documentaries, PR, and video.

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